Baltimore, or, The Steadfast Tin Soldier and the Vampire
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I read it twice. That's a big deal for me. These are a couple of the characters from left to right Aischros, Dr. Rose, Childress, and Mr. I tried to go with a more graphic look, moving towards stronger shapes and less detail, and was really influenced by 50's animation design. Hopefully I'll paint them up as if they were 3d models.
Baltimore, or The Steadfast Tin Soldier and the Vampire Archives - acextibpoli.tk
How awesome would it be to have a 3d animated movie, pushed in terms of design and content. Vampires, man eating marionettes, lake monsters, plagues, and demon bears that crawl out of soldiers all taking place during WW1. Del Toro Newer Post Older Post Home. In the Baltimore world, Germany is Hessia, France is Gaul, the flu plague of is instead a plague of vampirism, and World War I is and always will be "The Great War," because the events of Baltimore mean that, on this world, there will never be a second World War.
In Baltimore , the book, we find out that the great blood-letting of World War I awakens vampirism.
Prior to the war, vampires and other things that go bump in the night were somnambulent, and content to feast on the dead and dying. The "other world' is awakened by the carnage that men have created.
It awakens them Thus begins "the plague," which here on Earth-1, or Earth-Prime, or whatever, was the flu. But on Earth-Baltimore, those who suffered its effects were affected by the effect of the existence of vampirism, slowly sliding into undeath without ever being bitten. And, of course, there are actual vampires having a jolly time among the dead and dying of Europe.
And other creatures besides, that had lain in myth and legend and story for some time, arising to bedevil a helpless and prostrate mankind. As a history buff, I find this all really cool stuff. All of Baltimore's world is valid up to , and what happens after is plausible, and virtually necessary, if you accept that disease is caused by evil spirits instead of germs. Which, you know, is what we believed for millenia. That really rings the right bells.
And as a literature buff, I am also a fan of the book. I love the story of Baltimore, who awakens the devils, and pays for it with his dearest blood, then is selected by "God" or something to eradicate evil, but then strikes out of in search of vengeance in such a mindless and fixated manner that he is Captain Ahab more than Abraham -- so much like Ahab that he has a wooden leg and a harpoon strapped to his back.
It is a thick, juicy, pseudo-myth mixed with wildly swirling and mind-blowing symbolism. Plus -- PLUS! Random-cut, thick-fiber, rough-blend pages. Mignola illustrations. Hardcover with Mignola-illustrated jacket. Shelves: favorite-or-autobuy-author , library-checkout , horror , tortured-hero , yearly-reading-challenge , hero-or-heroine-limps-disabled , s-club-challenge , early-to-mid-twentieth-century , favorites , hero-to-die-for.
Baltimore, or, The Steadfast Tin Soldier and the Vampire uses the story within a story narrative very successfully. They each tell their story about how they came to meet Baltimore and when they became aware of the unnatural evil that exists in the world around them. Interspersed is the narrative about how Henry, Lord Baltimore, came to be the formidable vampire hu Baltimore, or, The Steadfast Tin Soldier and the Vampire uses the story within a story narrative very successfully.
Interspersed is the narrative about how Henry, Lord Baltimore, came to be the formidable vampire hunter who is nearly as frightening as the creatures he hunts. As a huge fan of Victorian horror and ghost stories, I enjoyed the narrative device, which reminded me of MR James's ghost stories and William Hope Hodgson's Carnacki tales.
Except this is a lot darker in content. Baltimore is a hero who lives in the dark, on the edge of despair, with everything he loved having been destroyed by the same vampires he hunts. He is definitely a tragic figure, seething with anger and rage.
Yet, he's still sympathetic, which is a feeling underlined by the fact that three of the narrators are men who are still loyal to him, despite having seen him at his worst. For all his rough edges, he is definitely needed in this world in which the Red King continues to afflict his deadly plague on humanity, and his minions go from town to town, spreading destruction.
The stories that each of the men told were creepy and disturbing, a melange of weirdness and horror, with a vintage feel. They have an air of dark nightmares, in which you question the reality. However, you know that it happened, because that is why these men are meeting together.get link
Baltimore, or, The Steadfast Tin Soldier and the Vampire, Mike Mignola and Christopher Golden
They are survivors of those nightmares, and in different ways beholden or loyal to Baltimore. Each character is distinctive, their narrative fitting their personality and worldview. Baltimore saw himself as that soldier. A man who had a loving family and a loving wife when he left home to fight in the Great War, but lost everything. He is that soldier moved around a battlefield by an indifferent creator, who feels nothing for his suffering.
Like the soldier, his beloved is forever denied to him, but still he fights. This allusion is achingly poignant and beautiful, a needed element in this story of unrelenting darkness and despair. That is not to say that good does not conquer, but the cost is extremely high for those who fight on the side of the light.
Baltimore, in the end, was a good book. They add somewhat to the narrative, but they are so stylized, it's not the same as a graphic novel, in which the illustrations help to tell the story. However, they bring to mind the woodcuts you might see in a Fairy Tale collection, such as Andrew Lang's fairy books. I could see that as a deliberate choice on Mignola's part. One of the other things I really appreciate about this collaboration is that you cannot tell which author is writing which part.
David Goyer Directing The Steadfast Tin Soldier and the Vampire
It's a seamless finished product, demonstrating much appreciated creative harmony between Mignola and Golden. Once again, I'm glad I was able to get this from my library, since these kinds of books are too pricy for my budget. It's definitely worth reading, especially for fans of the above authors and those who enjoy classic horror literature and fairy tales. Although it's dark reading, it was imaginative and involving. I'd recommend it.
Oct 13, Eric rated it it was amazing Shelves: horror , war , historical-fiction , my-books , dark-fantasy , short-stories , fairy-tales-folklore , drama , adventure , suspense-thriller. But what of the monk? Did you ever discover what became of him? He felt as if he were looking through them, beyond the walls of the inn. The recollection of his time on Trevelyan Island lingered with him, and he knew that, having told the tale, it would be some time before "Good lord," said Doctor Rose, the sardonic mask slipping a moment.
The recollection of his time on Trevelyan Island lingered with him, and he knew that, having told the tale, it would be some time before he could distance himself from it again. A soft smile of remembrance touched his lips. Elowen had been a kind of epiphany to any who met her.
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Doctor Rose opened his cigarette case and offered him one. Aischros shook his head and the doctor held out the case to Childress. The man hesitated before accepting. But when the doctor struck a match and went to light the cigarette, Childress flinched away from the flame. He frowned deeply, then reached out to take the match.
Mister Childress had no love of fire; that much was clear. He rubbed his palm across the burn scar on his neck and frowned. Childress let his smile bloom.
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Trevelayn was my home.